A wide-aperture 50mm lens is one of the most versatile prime lenses almost any photographer can use. If you are a Nikon shooter looking for such a lens for your work, check out this great review of the Nikon AF-S NIKKOR 50mm f/1.4G lens. Show Coming to you from Christopher Frost Photography, this excellent video review takes a look at the Nikon AF-S NIKKOR 50mm f/1.4G lens. A 50mm f/1.4 lens has a wide range of applications ranging from anything like portrait work (including shallow depth of field) to low-light events coverage. The 50mm f/1.4G features 8 elements in 7 groups, is pretty light at 9.88 oz (280 g) and comes with a minimum focus distance of 1.48 ft (45 cm) for a maximum magnification of 0.15x, features nine rounded diaphragm blades for smoother and more pleasing bokeh, has a Super Integrated Coating to reduce reflections for less flares and ghosting and increased contrast, and a Silent Wave Motor with full-time manual focus override. The lens also works well with Nikon's adapter for their mirrorless cameras, which will help to future-proof it for any photographers who are using the Z system. Check out the video above for Frost's full thoughts on the lens.  Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. He holds an M.S. in Applied Mathematics and a doctorate in Music Composition. He is also an avid equestrian. Some recent lenses go all out for performance and quality, giving any notion of compactness the cold shoulder. This Nikon lens harks back to 2008, when 12-megapixel image sensors put less stringent demands on the resolving power of lenses. Even so, it delivers very pleasing image quality from a refreshingly small and easily manageable build, weighing in at just 280g. Not just for full-frame cameras, it also works a treat as a portrait prime on Nikon’s DX (APS-C) bodies, with an effective focal length of 75mm. Pros
Cons
Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test. Compared with the comparatively recent Sigma 50mm f/1.4 Art lens that’s available in Nikon F-mount, this own-brand Nikon lens is only half the physical length and about a third of the weight. That’s mostly down to a much simpler optical design that’s based on eight rather than 13 elements. It’s therefore much easier to squeeze the Nikon lens into a spare corner of your gadget bag, and it’s less of a handful to shoot with. Indeed, the lens has a 58mm filter thread that’s no larger than that of its AF-S 50mm f/1.8G sibling. The main upsides of the f/1.4 lens are that it enables faster shutter speeds and a tighter depth of field. (Image credit: Future) SpecificationsMount: Nikon F (FX) Full-frame: Yes Autofocus: Yes Stabilisation: No Lens construction: 8 elements in 7 groups Angle of view: 46 degrees Diaphragm blades: 9 Minimum aperture: f/16 Minimum focusing distance: 0.45m Maximum magnification ratio: 0.15x Filter size: 58mm Dimensions: 74x54mm Weight: 280g Key featuresAutofocus is quick and whisper-quiet, based on a conventional ring-type ultrasonic system. Typical upsides include mechanically-linked full-time manual override and a focus distance scale beneath a viewing panel. The inclusion of an in-lens autofocus motor also enables autofocus with the likes of Nikon D3xxx and D5xxx cameras, which lack in-body AF motors. The same goes for Z system mirrorless cameras, via an FTZ or FTZ II mount adapter. The straightforward optical path doesn’t contain an aspherical element (as featured in the Nikon AF-S 50mm f/1.8G), there are no ED (Extra-low Dispersion) elements and no Nano Crystal Coat. Indeed, it’s a very traditional design but it does feature a well-rounded 9-blade aperture diaphragm, whereas the f/1.8 lens only has 7 blades. Super Integrated Coating is on hand to reduce ghosting and flare, and the lens is supplied complete with a bayonet-fit hood and carrying pouch. PerformanceCentre-sharpness is good at f/1.4, becoming excellent by the time you hit f/1.8. Corner-sharpness is less impressive when shooting wide-open, but still becomes highly impressive at f/2.8 and narrower apertures. The nine-blade diaphragm helps to maintain smooth bokeh when stopping down a little, with a very noticeable improvement over Nikon’s AF-S 50mm f/1.8G. Lab resultsWe run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations. We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the center of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. The tests also measure distortion and color fringing (chromatic aberration). Sharpness: (Image credit: Future) Center-sharpness is pretty good wide-open and becomes excellent from f/1.8 right through to f/16. Corner-sharpness is highly impressive in the range of f/2.8 to f/16, but relatively mediocre at f/1.4. Fringing: (Image credit: Future) Lateral chromatic aberration is minimal but longitudinal or axial chromatic aberration, often referred to as ‘bokeh fringing’ can be a little noticeable. Distortion: -1.71 Many 50mm standard prime lenses are pretty much distortion-free, but this one does produce a little barrel distortion that can be noticeable when uncorrected. VerdictSome recent lenses go all out for performance and quality, giving any notion of compactness the cold shoulder. This Nikon lens harks back to 2008, when 12-megapixel image sensors put less stringent demands on the resolving power of lenses. Even so, it delivers very pleasing image quality from a refreshingly small and easily manageable build, weighing in at just 280g. Not just for full-frame cameras, it also works a treat as a portrait prime on Nikon’s DX (APS-C) bodies, with an effective focal length of 75mm. Read more: • Best camera lenses to get • Best Canon lenses • Best Nikon lenses • Best Sony lenses Thank you for reading 5 articles this month* Join now for unlimited access Enjoy your first month for just £1 / $1 / €1 *Read 5 free articles per month without a subscription
Join now for unlimited access Try first month for just £1 / $1 / €1 Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! His expertise with equipment doesn’t end there, though. He is also an encyclopedia when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related. What is the Nikon AFExpect outstanding image quality, edge-to-edge sharpness and high contrast with the AF-S NIKKOR 50mm f/1.4G. Brilliant for portrait photography, general use (focuses as close as 1.5 feet) and video recording, this high quality lens produces tack sharp images and conquers low light environments with ease. When did the Nikon 50mm 1.4 G come out?4 G is Nikon's latest take on the classic 'standard lens' concept, and was introduced in September 2008. It's a replacement for the older AF-Nikkor 50mm F1. Is Nikon 50mm 1.4 good for portraits?Perfect for Portraits You don't have to get so close to your subject that you're breathing on their face, but you don't have to get so far away that you're shouting instructions to them. I find that sometimes the 50mm allows me to have the best connection to my subjects. What is Nikon 50mm lens good for?It's one of the most popular lenses on the market, and it can be used for anything from portraits and car photography to landscapes and nighttime shots. The only time you can't use a 50mm lens is when you're so far away from your subject that capturing it requires a telephoto lens. |
