Có một hôm em hỏi một bác bán lens tại HN, bác này bán hàng tương đối có uy tín với anh em. Bác ấy cho rằng con G cũng không hơn con D là bao, thậm chí tốc độ lấy nét cũng không hơn. Theo em biết thì dòng AFS G seri thường sẽ lấy nét nhanh hơn. Câu hỏi đặt ra của em là có nên đầu tư thêm quá nhiều tiền để mua con AF-S 50mm f/1.4 G không hay cứ AF 50mm f/1.4 D mà chơi.
Giá tham khảo trên Xóm:
AF-S 50mm f/1.4 G: khoảng 8.8tr đến 9.0tr hoặc hơn
AF 50mm f/1.4 D: khoảng 4.2tr đến 4.5tr hoặc với 250$ còn mua được hàng có bảo hành. Bác nào đã dùng qua cả hai con và đặc biệt đang sở hữu cả 2 con trên cho em xin cao kiến với. I knew the moment had arrived
For killing the past and coming back to life
- lens 50mm1.4D nếu mua thì nên mua hẳn hàng like new bác ạ, tầm 5tr2 - 5tr5, sẽ có cảm giác thích hơn.
cái gì cũng có cái giá của nó, 50 1.4G cho khả năng bắt nét cao hơn 50 1.4D, khi chụp ngược sáng, chụp tối, và mở khẩu tối đa
I used to run with a 50mm f/1.8; I got one when I got my hands on my first Nikon autofocus camera, the F80. And you know that was a great lens if you want a cheap and fast lens go for the 50mm f/1.8. But if you need something a little speedier or want something with a large front element and don’t care too much about having that f/22 aperture, then go with the 50mm f/1.4. Now I got my first experience with the 50/1.4 with a manual focus version I got with my Nikon F3 and immediately thought this lens superior. It isn’t really, but that’s splitting hairs. So when I went to pick up a Nikon D300, I decided that with an improved camera I needed to up my lens game and found a 50/1.4D used for a reasonably low price. And you know, it’s an excellent lens, it hits all the right notes and cuts a beautiful figure. Is it better than my 50/1.8? I honestly cannot tell the difference, but it certainly helps make the camera look good.
Lens Specifications
Make: Nikon
Model: AF Nikkor 50mm 1:1.4D
Focal Length: 50mm
Focal Range: ∞ – .45m
Aperture: f/1.4 – f/16, 7 Blades
Structure: 7 Elements in 6 Groups
As with the first review I’m not sure if the distorition is because of where I have the camera positioned, or there’s genuine barrel distortion with the lens.
Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20C
Build Quality
When it comes to the build quality, the 50/1.4D the lens is the perfect blend of plastic and metal. And I don’t say that as a bad thing. The most important part is that the lens mount is metal and while the barrel and filter ring is plastic but is far from fragile. It also keeps the weight down and fits and balances perfectly on any camera. I’ve mounted the lens on an F80, F90, D300, and the F5. The filter ring is a standard 52mm, similar to all other lenses of the D-Types, making it easier to swap filters without having to carry a tonne of different sized filters. The only trouble is that the lens does not have a built-in autofocus motor, rather has a direct mechanical linkage to the motor in the camera body. Which means the lens is only good on cameras that have an internal motor at least for autofocus.
You can see clear fall-off at the corners when the lens is wide open at f/1.4.By f/5.6 the fall off is gone.At f/8At f/16
Image Quality
I love the image quality that I get out of this lens, and it’s that quality that is why I have stuck with the older D-Type lens over updating to a G-Type, but also for backwards compatibility with older Nikon cameras. That said there are some flaws, first is the barrel distortion which again could be due to distance or my hack job of mounting the test chart. I’m working on a better version and more control over placement. That said once you get some distance, the distortion does go away. When you shoot the lens wide open at f/1.4 there is some fall off at the corners, nothing too serious but noticeable against plain backgrounds. Thankfully by the time to stop down to f/2 that fall-off goes away. The lens performs admirably between f/5.6 to f/16, which is the true sweet-spot for the lens. While there’s nothing super-special about the out-of-focus elements rendered by the lens, I find they rather smooth and pleasing in a ‘normal’ sort of way. But out in the field, it does start to produce amazingly sharp images starting at f/2 and only increases from there.
Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20C
Applications
As a low-light lens within affordable means for the Nikon system, there is no better lens than 50/1.4D. Nikon only has one lens faster in the F-Mount, and that one is the AI-S Nikkor 50/1.2 (I’ll have to borrow that one for review). Plus you have a lens that will fit on any Nikon camera, yes, even manual focus ones that are designed around the AI-S system thanks to the maintaining of the aperture ring. Nikon does have the flare for backward compatibility. The 50/1.4D is perfect for low-light situations and as a portrait lens if you need excellent subject separation with a narrow depth of field. But be on target with your focus when working at f/1.4. The lens also makes for a good poor man’s macro lens with a close focusing ability. And while it does only stop down to f/16, it can handle landscapes like a champ. And does make for a good general use lens. I personally always bring the 50mm along when travelling with the Nikon kit.
Nikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20CNikon F5 – AF Nikkor 50mm 1:1.4D – Kodak TMax 400 @ ASA-400 – Kodak D-76 (Stock) 7:30 @ 20C
The Low Down
Honestly, if you’re starting in your journey of autofocus Nikkor glass, you don’t need this lens. I mean there’s nothing wrong with the lens it’s amazing and produces excellent images, but it’s not a need lens. You have to want it, but if you do want it, you won’t have to pay too much. Sure some examples are above 300$ I mean that’s how much you pay for the lens new, but you can have one on the used market for between 150-200$ for a good example. That is thanks to the release of the AF-S G-Type lens. However, if you are running older Nikons or adapting the lens to a mirrorless system, the D-Type is the lens you want as it maintains that aperture ring. But no matter which way you go, the 50/1.4D is a solid addition to any prime lens kit with professional cameras and offers excellent image quality, a powerful portrait or carry around lens without breaking your budget too much or you back.
2020-02-17
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